The Gardiner Museum has partnered with the Montreal Museum of Fine Arts, the Art Gallery of Ontario, the Royal Ontario Museum, and private collectors to reunite for the first time what survives of the collection of Sir William Van Horne, the American-born builder of the Canadian Pacific Railway who became one of Canada’s foremost art collectors.

An exhibition of major ceramic works by Ai Weiwei, one of the world’s most influential living artists and human rights activists, will debut at the Gardiner Museum in February 2019.

The Gardiner Museum is pleased to announce the appointment of Sequoia Miller to the role of Chief Curator. Miller worked as a full-time studio potter before re-entering academia as a doctoral candidate in the History of Art at Yale.

The Gardiner Museum’s annual 12 Trees exhibition, presented by Nordstrom, returns this year with contemporary holiday installations inspired by the theme Let There Be Light. Co-curated by Canadian author and visual artist Douglas Coupland and Vice President of Public Art Management Ben Mills, the exhibition celebrates light as a potent symbol of hope and unity that many cultures share during the holiday season.

Read the full article in NOW Magazine.

The Gardiner was proud to recently announce Dr. Pierre Karch and Dr. Mariel O-Neill Karsh as the recipients of the 2017 Gardiner Benefactor Award. This special annual award recognizes and celebrates patrons who have made outstanding and significant contributions to the Museum.

For the second time, the Gardiner Museum will open its doors to six community partners who will hold two months of free programming including hands-on workshops led by local artists, and original performances.

Erell Hubert, Curator of pre-Columbian Art at the Montreal Museum of Fine Arts, shares the archaeological tool that she can’t live without, and weighs in on how curators can combat the illegal trafficking of antiquities.

The Gardiner Museum’s Adjunct Curator of Chinese Ceramics, Daniel Chen, discusses the fascinating history of the Anne Romoff Gross Collection, how porcelain marks can be misleading, and why he would like to go back in time to visit Tang Ying’s imperial kilns.

Editor-in-Chief of Canadian Art magazine, David Balzer, discusses his favorite ceramic object, the importance of acknowledging Canada 150 as a colonial anniversary, and the contemporary Canadian ceramic artists that are on his radar right now.